Coke Studio Bharat is back with another sonic experiment that hits both the heart and the dancefloor. Season 3 of the platform, which celebrates India’s regional musical roots, just dropped its fourth track—Ishq Bawla. Featuring Haryanvi rap phenomenon Dhanda Nyoliwala and singer Xvir Grewal, the song is a bold reimagining of heartbreak, rooted in folk tradition and elevated by new-age beats.
Following earlier tracks like Holi Aayi Re, Holo Lolo, and Punjab Vekh Ke, Ishq Bawla adds yet another dimension to Coke Studio Bharat’s commitment to cultural diversity. This track draws inspiration from classic tales of lost love but flips the script with a modern mindset—focusing on healing, self-discovery, and moving on.
Crafted entirely by Dhanda Nyoliwala—who conceptualised, wrote, composed, and performed the track—Ishq Bawla is more than just a breakup song. It’s a Haryanvi anthem for bouncing back. With lyrical rawness and a signature flow, Dhanda speaks directly to listeners navigating love gone sideways.
Joining him is Xvir Grewal, whose melodic hooks bring softness to the intensity. Together, the duo balances introspection with empowerment, making Ishq Bawla a deeply relatable, yet musically adventurous, offering.
The song stands out for its soundscape. Traditional Haryanvi instruments—like the deru, bugchu, and ghada—are blended with heavy beats and hip-hop rhythms. The result is a fusion track that respects its roots while appealing to global sensibilities.
Shantanu Gangane, IMX Lead at Coca-Cola India, explained the vision:
“Coke Studio Bharat is built to showcase India’s diversity. Artists like Dhanda and Xvir help us reimagine tradition for the new generation.”
Dhanda Nyoliwala echoed this sentiment:
“Ishq Bawla isn’t just a song—it’s my story, my people, and my voice. Coke Studio gave us the freedom to be real.”
For Xvir Grewal, the project was equally personal:
“The song let us dive deep into emotion. It’s honest, it’s current, and it speaks to everyone.”
As Season 3 continues, Coke Studio Bharat proves it’s not just a stage—it’s a movement. Through regional stories like Ishq Bawla, it’s bringing hyperlocal narratives to a global audience, one beat at a time.
